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in many editing features over MC4. If you are a Liquid upgrader, I
really recommend moving to MC5 right away. Don't
miss these tutorials -
NEW - Media Composer 5 - Getting Started
&
Intro to Smart Tool Note: Most of these pages and links are cut and pasted from other people's creativity that I
read and want to remember for my personal editing growth. I try to give
credit when I can - but sometimes the cut and paste just doesn't get that done -
so my apologies to all for missing credits.
I have divided the "multi-colored tab headings" above into several sub-sections
under each heading topic, and
have tried to organize navigation in a way that a Liquid editor
might find useful in making the transition between Liquid and MC. Think of these pages as my personal notes as I go through the
learning process.As in Liquid, MC has multiple ways to accomplish the same
tasks - left and right mouse clicks access various and different drop down
menus, there are "hamburger" "fast" menus, and keyboard shortcuts. There are
hotspots inside module windows so where you left and right click does
matter.
There is a "MC" way of doing things and a "Liquid" way
of doing things. It is recommended to let go of your "Liquid" ways and
learn the "MC" way. Read the manual, use program help, ask
questions on the forum.
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Installing Patches |
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Versions (such as 5.0.3 ) can be downloaded
and installed only after the removal of the previous install of Avid
Audio Tools and MC5.
The 5.0.3 download is a complete program. I would however, STRONGLY
suggest that you deactivate your license prior to the install, then
reactivate after the install.Patches are
executable files with a .msp extension which are installed over your
current version. A patch is usually identifed by an increment such as
5.0.3.1 (note the extra digit).
To know which patch is installed - In the control panel, go to
"add/remove" programs and activate "show updates". You will then see
what patches have been installed for Avid Media Composer. |
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First Time you open
a project |
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Larry Rubin at MC forums.
The first thing I am doing always when I start a new project or one
in progress is hit Ctrl+5.
Just when the project opens I hit that. Ctrl+5!
It brings up the media creation and this is essential.
You can choose the resolution that will be used for the imports
exports and title creation.
You can also filter out the OS drives from storing Avid MediaFiles
thus media.
MC sometimes changes the main drive for that (when you have many
drives) and you have to make it remember.Use this everytime you go in a project. It will save you some
troubles.
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Customizing the Interface |
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Larry Rubin:
DEEPER CUSTOMIZING OF INTERFACE:
In the project window, click
on "settings" to display your user settings (1).
Double click "Interface" with check mark next to it (2).
Choose: "appearance" and customize as desired (3).
Changes will automatically become part of your user profile.
To add to this, by clicking on each Interface Template you can
instantly change the colors (4).
Larry Rubin:
CUSTOMIZED TIMELINE VIEWS:
Click on the timeline fast "hamburger"
menu, and choose what options you want (1).
Adjust vertical sizing of tracks as desired.
Click on window at in the timeline toolbar for "save as" (2),
name view (3) and save it.If desired, any timeline view can be linked to any toolset using
the toolsets "link to current..." dialog (4,5,6).
Adjust vertical sizing of tracks as desired.
Click on window at in the timeline toolbar for "save as", name view
and save it.
If desired, any timeline view can be linked to any toolset using the
toolsets "link to current..." dialog.
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Some Helpful Basic Information
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Each full version of Media Composer, like 5.0.3,
requires an uninstall of the previous version and a full new install of
the new version. Don't forget to deactivate your software license BEFORE
uninstalling the old one. Install the new version, reactivate your
license, then install the 5.0.3.4 patch. On the PC side, patches do not
require an uninstall, they are added on to the full version, which must
be installed first. All patch files are cumulative, so installing
5.0.3.4 will give you all the patches in 5.0.3.1 and forward. Download
patches and the installation instructions pdf from
here.
You can find what updates are installed by doing this.
Go to your CONTROL PANEL Open ADD/REMOVE SOFTWARE
After all the software you have has loaded, look to the left side
margin. There should be something like "Upgrades installed".
Click on that and you will find information about all your software
upgrades. Not only the MC ones
Deactivate your registration
Uninstall your current MC version
Install the full version 5.0.3
Activate your license
Install the patch 5.0.3.5
it's always a good idea to back up your "Avid
Projects" folder and your "Avid Users" folder, just in case.
Also check here
for updates of the other tools in the suite.
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- Understand the Avid
Basic Workflow
- Basic Media
Management, Project Windows & Bins
- Let go of your Liquid workflow - what
works for Liquid may not be the way to do it in Avid MC
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- Quicktime - You must run the compatible version
of Quicktime with MC, You can find the Windows version of QT
7.6.6
here. 7.6.8 is not yet qualified for MC. Refer to this
version matrix.
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MC5
Smart Tool is worth learning
well as it seems it is the future. The modes are there, but
integrated and not seperate. But you still want to....
- Learn MC's MODES.
Depending on the editing
MODE (Trim, Effect, Source/Record, Segment) you will have different tools available, and you have to
be in the "right mode" to do different aspects of editing.
Things you do in Liquid can be done MC. The
active editing mode is indicated on the lower menu bar of the
timeline, as is other modes you may be working in within an editing
mode.
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- Use MC's ONLINE Library
and Avid Media Composer Help
(both available from the help menu) as early as you can. Start with the
Basic User guide to get the terms down. Inside each library
module you can search for terms or review the table of contents to start getting the feel of
the layout of MC.
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- User
defined keyboard shortcuts can only be
assigned to certain standard keyboard keys and to SHIFT + certain
standard keyboard keys. ALT and CTRL keys for keyboard
shortcuts are reserved for pre-defined keyboard shortcuts.
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- Source Monitor is
called SOURCE monitor, Master monitor is called RECORD monitor
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- Split or Razor Cut is
called an ADD EDIT
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- MC's equivalent of Containers is COLLASPE
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More
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- When you import a file into MC, MC transcodes the
file into it's own proprietary format based on the timeline
properties. These files are stored in the AvidMediaFolder/MFX/#
folder.
Liquid does the same, I think generally to
seperate out the audio) Unlike the files that Liquid creates,
(generally M2v or AVI) which does the same thing and stores
the files in it's /RACK folders, these MXF files can not be read by
other programs - and the only way to view those files is to import
them into a project's bin. (See media Mgt)
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- SEQUENCES in Liquid are
SEQUENCES in MC (basically a named timeline with events (clips, titles,
effects) Selected sections of sequences are called SEGMENTS.
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- MARKERS are called
LOCATORS
More
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- USING the smart tool - Clips have
handles at the beginning or end to stretch or shrink the clip
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- ** Pan and Scan is not
the same as in Liquid - use Image/Pan & Zoom
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- Bins are similar to Liquid's bins/folders. Some
bin's have tabs for sub-features. The project window is a bin
with tabs.
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- Instant HELP... Wherever you are in Media
Composer and you are stumped about a setting, you can just right
click and choose the What's This? option (1). This will not only
open Media Composer's Help but help for the exact setting you have
right click (2)!!!
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- Fuses are called MIXDOWNS.... and you have to do both an audio
mixdown and a video video mixdown (you cannot do them both at once)
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- Think QT in MC. Generally
speaking you only export a Quicktime reference movie and then use
the QT ref movie in Squeeze to create whatever type of file you
need. MORE
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- Activation Issues - NIC card and Registration -
The software license scheme relies on an enabled
network adapter to successfully activate. Upon each launch, the
application requires the adapter to be enabled in order to validate
the license.
More
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- To find system ID and serial number and -
Launch MC 5 and open a project, then go the the tools menu and
select "console". Your system ID number and serial number will be
listed in the resulting console window.
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Avid's capture tool is VERY SENSITIVE to tape issues,
especially broken control track and broken time code. That is by design,
since the entire media management database hinges on the tape name and
zero frame accurate time code. To avoid this, you fix it at the camera.
Set your timecode generator for internal, preset, record run at the
beginning of a tape. Roll your first footage, maybe just color bars.
After stopping, switch preset to regenerate. On the next camera start,
it will do a short pre-roll, roll forward and execute a perfectly
sequential control track and time code edit. Continue this way for the
duration of the tape. What you will get is a flawless recording with
absolutely clean control track and time code, with no distorted picture
break ups either. Eliminate the problem at it's source. - Larry
Rubin |
| ** Major Difference |
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PLEASE NOTE: MC5 now has smart tool - which combines many of these
modes. Although the following probably holds true, check out and
start using SMART TOOLS -
Intro to Smart Tool
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EDITING MODES - you
will find yourself switching editing modes often to achieve your edits.
You need to learn the modes. |
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Selecting EDITING MODES
One of four editing modes are always indicated on the lower or bottom
toolbar of the timeline. One of these modes is always selected and
indicated by darker blue around the selection.

In Source/Record mode you will turn on and off Segment Modes
icons (LIFT and EXTRACT) and use the Lasso to select segments of the
sequence (timeline) to move segments (clip or multiple clips/effects/transistions)
around.

In TRIM mode, the Source/Record monitors change into the TRIMMER,
and your editing will be done in those video windows using those
window's toolbars as well as menu and shortcut keys.

In EFFECT mode

Color Correction Mode - later
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SOURCE/RECORD MODE -
SEGMENT MODE |
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Selecting Segment Modes
- When Source/Record
Editing Mode is activated, LIFT and EXTRACT modes are
available to be used on SEGMENTS inside a SEQUENCE (timeline). A
SEGMENT is a portion of a sequence.
Segment mode icons are located on the lower or bottom
toolbar of the timeline. Here, neither Lift or Extract is selected
- notice that the area around those modes is not dark.
Clicking on Extract (yellow arrow) (or LIFT - red
arrow) icons , the area surrounding the icon becomes darker. Click
again on the icon and and it is deselected. Lassoing (holding left
click and draging around segment areas will also turn on EXTRACT mode
automatically if it is not already selected.You
use SEGMENT MODES when you want to move SEGMENTS (clips) around on the
timeline. You turn SEGMENT MODE off when you want to use the
playline to move around in the SEGMENTS.
Extract/Splice
In mode (yellow)
Lift/Overwrite Mode
(red)
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| Floating in and out marks. If you already have
an in or an out marked on a clip or sequence, parking the position
indicator on a mark and holding down ALT while dragging will drag the
mark along with the position indicator.
And another from you in respect with Ctrl+5 I have posted.
Go to the "Special" pulldown menu and choose "site settings". This
will open up a small site settings window. You can then drag any user
setting, including media creation settings in your case, into the site
settings window and manually save. From that point on, any new project
you create SHOULD honor the settings you have saved in that window. And
if you don't find site settings in the special menu, with user settings
displayed in the project window, click on the fast (hamburger) menu and
you should find it there.
Transition Move
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